FULL-FRAME LENSES
ARRI SIGNATURE PRIMES
While the Signature Primes exemplify state-of-the-art optical precision, they have been designed to render organic, emotionally engaging images, gently softening and texturizing the large format with natural skin tones and creamy bokeh. A fast T-stop of T1.8 facilitates shallow depth of field and the smooth focus fall-off gives subjects heightened presence in the frame. These lenses feature a native LPL mount.
For more signature prime looks/detuning check out our set of ARRI Impression V filters.
+signature prime 18mm T1.8 LPL
T1.8-22
Close Focus - 14"
Front Diameter - 114mm
+signature prime 25mm T1.8 LPL
T1.8-22
Close Focus - 14"
Front Diameter - 114mm
+signature prime 29mm T1.8 LPL
T1.8-22
Close Focus - 14"
Front Diameter - 114mm
+signature prime 35mm T1.8 LPL
T1.8-22
Close Focus - 14"
Front Diameter - 114mm
+signature prime 47mm T1.8 LPL
T1.8-22
Close Focus - 18"
Front Diameter - 114mm
+signature prime 58mm T1.8 LPL
T1.8-22
Close Focus - 18"
Front Diameter - 114mm
+signature prime 75mm T1.8 LPL
T1.8-22
Close Focus - 16.9"
Front Diameter - 114mm
+signature prime 95mm T1.8 LPL
T1.8-22
Close Focus - 2'9"
Front Diameter - 114mm
+signature prime 125mm T1.8 LPL
T1.8-22
Close Focus - 2'7"
Front Diameter - 114mm
+ARRI IMPRESSION V FILTERS
A set of 4 positive, and 4 negative rear diopters that slightly alter the focus characteristics for vintage looks.
More Info
TRIBE7 LENSES
Blackwing7 lens tuning allows parameters such as sharpness, contrast, focus roll-off, spherical aberration, field curvature, edge halation and flare to be modified to provide sets of “curated” optics to suit the personality and style of the cinematographer.
Many of the design cues for Blackwing7 primes originate in optics manufactured during the 1930 – 1960s. There are three basic lens options: S (Standard), T (Transient) and X (eXpressive). The optics on our T-set are single coated to suit a 1950s style, and are tuned with a higher degree of Blackwing7 pupil flare (most notably on 37mm, 57mm and 77mm focal lengths).
+Blackwing7 20.7mm T1.9 - Transient
T1.9-22
Close Focus - 7.5"
Front Diameter - 104mm
+Blackwing7 27mm T1.9 - Transient
T1.9-22
Close Focus - 14"
Front Diameter - 104mm
+Blackwing7 37mm T1.9 - Transient
T1.9-22
Close Focus - 18"
Front Diameter - 104mm
+Blackwing7 47mm T1.9 - Transient
T1.9-22
Close Focus - 19"
Front Diameter - 104mm
+Blackwing7 57mm T1.9 - Transient
T1.9-22
Close Focus - 19"
Front Diameter - 104mm
+Blackwing7 77mm T1.9 - Transient
T1.9-22
Close Focus - 2'2"
Front Diameter - 104mm
+Blackwing7 107mm T1.8 - Transient
T1.8-22
Close Focus - 2'5""
Front Diameter - 104mm
+Blackwing7 137mm T1.9 - Transient
T1.9-22
Close Focus - 32"
Front Diameter - 104mm
CANON K35 PRIMES
Rehoused by Zero Optik
Now available with Zero Optik rehousing featuring unified gear placement, cooke-style focus cams, 95mm front diameter, and improved close focus.
The K-35 lenses were manufactured by Canon during the 1970's and 80's and won an Academy Award in 1976. These lenses were used on many large sets such as “Alien”(1986), “American Hustle” (2013), and "Her" (2013).
The high-speed optical design of the K-35 series is a perfect example of Canon’s optical expertise and fine lens design. The K-35 primes have slightly less contrast compared to modern lenses but the standout feature is the unique ability to cover full frame sensors (excluding the 18mm).
+Canon K35 18mm T2.8 PL
T2.8-22
Close Focus - 6"
Front Diameter - 95mm
*Does not cover Full-Frame
+Canon K35 24mm T1.6 PL
T1.6-22
Close Focus - 1'
Front Diameter - 95mm
+Canon K35 35mm T1.4 PL
T1.4-22
Close Focus - 1'
Front Diameter - 95mm
+Canon K35 55mm T1.4 PL
T1.4-22
Close Focus - 1'2"
Front Diameter - 95mm
+Canon K35 85mm T1.3 PL
T1.3-22
Close Focus - 2'11"
Front Diameter - 95mm
CANON FD PRIMES
Rehoused by Zero Optik
These highly sought after 1970’s Canon FD primes have been rehoused by Zero Optik with uniform gear placement and a new 16-blade iris. Sharing many of the same unique characteristics, they make the perfect companion set to our Canon K35’s.
+Canon 14mm FD-L T3.1 PL
T3.1-22
Close Focus - 9.5"
Front Diameter - 114mm
+Canon 20mm FD SSC T3.1 PL
T3.1-22
Close Focus - 10"
Front Diameter - 95mm
+Canon 100mm nFD T2.1 PL
T2.1-22
Close Focus - 2'4"
Front Diameter - 95mm
+Canon 135mm nFD T2.1 PL
T2.1-22
Close Focus - 4'
Front Diameter - 95mm
LEICA R PRIMES - EF Mount
Originally developed for the Leicaflex SLR line, these still lenses often fell short of appreciation due to their infamous M mount counterparts. Now with the advent of digital cinematography these once overlooked gems have found new appreciation.
Currently available in EF mount as they await rehousing, the Leica Rs are perfect for travel, or gimbal work where you need a compact build, but can’t afford to sacrifice quality.
This set of 6 primes offers several advantages over others; fantastic close focus, a light-weight and small form factor, and the distinct Leica image rendition.
+Leica R 19mm F/2.8
F/2.8 - 22
Close Focus - 12”
Front Diameter - 80mm
+Leica R 24mm F/2.8
F/2.8 - 22
Close Focus - 12”
Front Diameter - 80mm
+Leica R 35mm F/1.4
F/1.4 - 16
Close Focus - 20”
Front Diameter - 80mm
+Leica R 50mm F/1.4
F/1.4 - 16
Close Focus - 20”
Front Diameter - 80mm
+Leica R 80mm F/1.4
F/1.4 - 16
Close Focus - 32”
Front Diameter - 80mm
+Leica R 135mm F/2.8
F/2.8 - 22
Close Focus - 5’
Front Diameter - 80mm
KOWA-R FF
Despite the well known ‘Kowa’ name, these lenses are a rather unique set. The donor glass was originally designed for the Kowa SET-R cameras between 1968-1974. Not many sets were made, and even fewer are available today. Each lens has a sharp center, with pleasing falloff and vignetting. Bold eyelash flares with purple and gold caustics, with warm skin tones make them a great choice for portraiture.
Here the optics have been rehoused by TLS giving them new life. Consistent 110mm front diameters, 14 blade irises, and standard 0.8mm gearing make them a joy to use on set.
+KOWA-R FF 19mm T/4.1 PL
T/4.1-22
Close Focus - 8"
Front Diameter - 110mm
+KOWA-R FF 28mm T/3.6 PL
T/3.6-22
Close Focus - 9"
Front Diameter - 110mm
+KOWA-R FF 35mm T/2.9 PL
T/2.9-22
Close Focus - 12"
Front Diameter - 110mm
+KOWA-R FF 50mm T/1.9 PL
T/1.9-22
Close Focus - 16"
Front Diameter - 110mm
+KOWA-R FF 85mm T/2.9 PL
T/2.9-22
Close Focus - 2'3"
Front Diameter - 110mm
+KOWA-R FF 100mm T/3.6 PL
T/3.6-22
Close Focus - 3'
Front Diameter - 110mm
+KOWA-R FF 135mm T/3.9 PL
T/3.9-22
Close Focus - 3'9"
Front Diameter - 110mm
+KOWA-R FF 200mm T/4.1 PL
T/4.1-22
Close Focus - 6'
Front Diameter - 110mm
ZEISS SUPREME PRIMES
All the lenses across the Supreme family cover full frame and have a large image circle of 46.2mm. They are color matched across the full range and feature a fast T-stop of T1.5. The small front diameter of 95mm on all lenses and standardized positioning of the focus and iris rings facilitate fast and easy lens changes. The ultra-smooth focus rotation of the Supreme Prime lenses even in extreme temperatures allows for small motors to make sure you have an easy setup that’s enjoyable to work with. A very smooth transition between in-focus and out of focus areas characterize the unique look of the ZEISS Supreme Prime lenses. This adds richer texture and greater depth to the image.
+Zeiss Supreme 18mm T1.5 PL
T1.5-22
Close Focus - 14"
Front Diameter - 114mm
+Zeiss Supreme 21mm T1.5 PL
T1.5-22
Close Focus - 13.7"
Front Diameter - 95mm
+Zeiss Supreme 25mm T1.5 PL
T1.5-22
Close Focus - 10"
Front Diameter - 95mm
+Zeiss Supreme 29mm T1.5 PL
T1.5-22
Close Focus - 13"
Front Diameter - 95mm
+Zeiss Supreme 35mm T1.5 PL
T1.5-22
Close Focus - 13"
Front Diameter - 95mm
+Zeiss Supreme 40mm T1.5 PL
T1.5-22
Close Focus - 16"
Front Diameter - 95mm
+Zeiss Supreme 50mm T1.5 PL
T1.5-22
Close Focus - 18"
Front Diameter - 95mm
+Zeiss Supreme 65mm T1.5 PL
T1.5-22
Close Focus - 2'
Front Diameter - 95mm
+Zeiss Supreme 85mm T1.5 PL
T1.5-22
Close Focus - 2'9"
Front Diameter - 95mm
+Zeiss Supreme 100mm T1.5 PL
T1.5-22
Close Focus - 3'9"
Front Diameter - 95mm
+Zeiss Supreme 135mm T1.5 PL
T1.5-22
Close Focus - 4'6"
Front Diameter - 114mm
+Zeiss Supreme 150mm T1.8 PL
T1.5-22
Close Focus - 5'
Front Diameter - 114mm
NIKON AI-S PRIMES
Rehoused by Zero Optik
Introduced in 1982, the Nikkor AI-S lenses were Nikon's last fully-manual lenses before auto focus became standard. These vintage Nikon primes have been rehoused by Zero Optik and feature 95mm fronts and a cam-driven focus system for silky focus control. The iris has been upgraded to 16 blades for buttery smooth, circular, bokeh. These primes are characterized by their unique flares, brilliant colors, natural contrast, and a subtle, beautiful, veil wide open.
+NIKON 15mm T4.0 PL
T4.0-22
Close Focus - 1'
Front Diameter - 114 or 136mm
+NIKON 20mm T3.0 PL
T3.0-22
Close Focus - 10"
Front Diameter - 95mm
+NIKON 24mm T2.2 PL
T2.2-22
Close Focus - 1'
Front Diameter - 95mm
+NIKON 28mm T2.2 PL
T2.8-22
Close Focus - 10"
Front Diameter - 95mm
+NIKON 35mm T1.5 PL
T1.5-16
Close Focus - 1'
Front Diameter - 95mm
+NIKON 50mm T1.3 PL
T1.3-16
Close Focus - 11"
Front Diameter - 95mm
+NIKON 58mm NOCT T1.3 PL
T1.3-16
Close Focus - 1'
Front Diameter - 95mm
+NIKON 85mm T1.5 PL
T1.5-16
Close Focus - 2'10"
Front Diameter - 95mm
+NIKON 105mm T1.9 PL
T1.9-22
Close Focus - 2'6"
Front Diameter - 95mm
+NIKON 135mm T2.1 PL
T2.1-22
Close Focus - 4'
Front Diameter - 95mm
TOKINA VISTA ONE
The Vista One lenses are a new limited release version of the Vista Prime lenses featuring a new single coated front element and gray lens barrel aesthetic. The single coating allows for a reduction in contrast and increase in lens flare when off-axis lighting is used. These lenses have an extremely large image circle for full-frame coverage, little to no chromatic aberration, and minimal breathing. All primes have a super fast T-stop of T1.5
+Vista One 18mm T1.5 PL
T1.5-22
Close Focus - 17.7"
Front Diameter - 114mm
9 blade Iris
+Vista One 25mm T1.5 PL
T1.5-22
Close Focus - 13.8"
Front Diameter - 114mm
9 blade Iris
+Vista One 35mm T1.5 PL
T1.5-22
Close Focus - 16"
Front Diameter - 114mm
9 blade Iris
+Vista One 50mm T1.5 PL
T1.5-22
Close Focus - 19"
Front Diameter - 114mm
9 blade Iris
+Vista One 85mm T1.5 PL
T1.5-22
Close Focus - 37.5"
Front Diameter - 114mm
9 blade Iris
+Vista One 105mm T1.5 PL
T1.5-22
Close Focus - 3'9"
Front Diameter - 114mm
9 blade Iris
FUJI PREMISTA ZOOM
The new Fuji Premista zooms offer full frame coverage, large-diameter aspherical lens elements, updated focus/zoom designs, and an astonishing level of edge-to-edge resolution. The use of 13-blade iris design and shallow depth-of-field which is a characteristic of large format sensors, produces natural and beautiful bokeh to faithfully capture the subject's texture, three-dimensional definition and even a sense of atmosphere at the site.
+Premista 28-100mm T2.9 PL
T2.9-22
Close Focus - 2'8"
Front Diameter - 114mm.
Full-Frame Coverage
ANGENIEUX EZ ZOOM
The Angenieux EZ zoom series are two high-quality, matching, zooms that feature switchable rear optics for either super 35 or full frame sensors.
+EZ ZOOM 22-60mm T3.0 PL
T3-22
Close Focus - 2'
Front Diameter - 114mm.
Full-Frame
Weight - 4.6 lb
+EZ ZOOM 45-135mm T3.0 PL
T3-22
Close Focus - 2'
Front Diameter - 114mm.
Full-Frame
Weight - 4.5 lb
ANGENIEUX OPTIMO ZOOM
The Angenieux Ultra FF 12x lens is the new standard zoom lens for full-frame cameras. The 24-290mm has been completely redesigned from the ground up. Thanks to the new optical and mechanical design, the lens features switchable rear optics designed for three different sensor sizes: super-35, ultra-35, and full-frame/vista vision. This brand new 12:1 has less breathing, less distortion, and better sharpness wide open than its predecessor.
+Angenieux ULTRA 36-435mm T4.2 PL LPL
T4.2-22
Close Focus - 4'2"
Front Diameter - 162mm.
Configurable for S35, U35, or FF
Weight - 30 lb
PL or LPL mount
CANON CN-E PL PRIMES
The CN-E prime lenses offer a compact, consistent lens design with performance and reliability in professional shooting environments. Designed to fulfill contemporary 4K production standards, it features a full-frame imaging circle in a lightweight, compact design. It also features an 11-blade aperture diaphragm for beautiful background blur and innovative glass construction that counteracts barrel expansion and contraction to avoid temperature induced marking discrepancies. All six CN-E primes feature the Duclos PL-mount modification for use on any camera with a PL mount.
+Canon CN-E 14mm T3.1 PL
T3.1-22
Close Focus - 9"
Front Diameter - 114mm
+Canon CN-E 24mm T1.5 PL
T1.5-22
Close Focus - 12"
Front Diameter - 114mm
+Canon CN-E 35mm T1.5 PL
T1.5-22
Close Focus - 12"
Front Diameter - 114mm
+Canon CN-E 50mm T1.3 PL
T1.3-22
Close Focus - 18"
Front Diameter - 114mm
+Canon CN-E 85mm T1.3 PL
T1.3-22
Close Focus - 3'2"
Front Diameter - 114mm
+Canon CN-E 135mm T2.2 PL
T2.2-22
Close Focus - 3'4"
Front Diameter - 114mm
ZEISS COMPACT ZOOMS
Available in PL or Canon EF mount, they are compact and ready for 4k and even offer full-frame sensor coverage. The Compact Zooms comprise all the features of a cine-style lens; extra-long focus throw, constant T-stop of 2.9 across the entire zoom range and easy-to-read markings. With their outstanding color matching, typical for ZEISS, they make an optimal addition to the Master Prime, Ultra Prime and Supreme Prime lenses.
+CZ.2 15-30mm T2.9 PL/EF
T2.9-22
Close Focus - 22"
Front Diameter - 114mm
+CZ.2 28-80mm T2.9 PL/EF
T2.9-22
Close Focus - 2.67'
Front Diameter - 95mm
+CZ.2 70-200mm T2.9 PL/EF
T2.9-22
Close Focus - 5'
Front Diameter - 95mm
ZEISS CP.2 SUPER SPEED PRIMES
The CP.2 Super Speed lenses cover a full-frame sensor format and are equipped with the interchangeable lens mount system for use with a variety of cameras ranging from HDSLR to professional cinema cameras. We offer the option of Canon EF or PL mount.
+CP.2 35mm T1.5 PL/EF
EF or PL mount
T1.5-22
Close Focus - 12"
Front Diameter - 114mm
+CP.2 50mm T1.5 PL/EF
EF or PL mount
T1.5-22
Close Focus - 18"
Front Diameter - 114mm
+CP.2 85mm T1.5 PL/EF
EF or PL mount
T1.5-22
Close Focus - 3'3"
Front Diameter - 114mm
TLS PETZVAL PRIMES
The Petzval is characterized by its immensely swirly bokeh, strong field curvature, and sharp central focus. This lens simulates the look of the first Petzval lens from 1840, yet updated with modern cine-housings by TLS. Check out our lens test video here.
+Petzval 58mm T2.1 PL TLS-Rehoused
PL Mount
T2.1-16
Close Focus - 2'
Front Diameter - 110mm
+Petzval 85mm T2.3 PL TLS-Rehoused
PL Mount
T2.3-22
Close Focus - 3'
Front Diameter - 110mm
TELEPHOTO PRIMES
+Canon FD 400mm T2.8 PL
Century Converted PL mount
T2.8-32
Close Focus - 10'
Front Diameter - 162mm
+Nikon ED 200mm T2.0 PL
Century Converted PL mount
T2-16
Close Focus - 8'
Front Diameter - 126mm
PROBE AND SPECIALTY LENSES
+Laowa 12mm T2.9 ZERO-D PL Lens
The PL mount Laowa 12mm T2.9 Zero-D Cine Lens provides a wide angle of view and it is optimized for digital cinematography. Its lightweight and compact design can be used not only with handheld shooting, it is also light enough for use on gimbals. The lens produces an image circle that will cover full-frame, VistaVision, and ARRI ALEXA LF sized sensors or smaller. Check out our lens test video here.
+Laowa 24mm PL Probe Lens
This probe lens focuses from 2:1 macro to infinity and with a compelling wide angle ‘Bug Eye’ perspective. The wide angle design means much greater depth of field at close distances than possible with conventional telephoto macro lens, so more background details can now be seen. The front barrel of the lens is waterproof and an LED ring light is mounted at the tip of the lens. It can cover both full frame & Super35 image sensors and is super lightweight to carry. This "cine-mod" version of the lens has been optimized for video use and features integrated gears on both the aperture and focus rings for doing iris and focus pulls using a follow focus.
+LENS BABY 3G 50MM PL
The Lensbaby is a hybrid between a bellows camera and a tilt-shift camera. The lens can be compressed, extended, and/or bent off-center in any direction for different effect. It will add a unique perspective on the world that is a radical departure from the precision of digital or even film photography. Effects like blurring, glowing highlights, and subtle, prismatic color distortions can all be achieved without software manipulations. The lens aperture can be changed by inserting different size magnetic aperture discs, with a choice of f/2, 2.8, 4, 5.6, 8, 11, 16, and 22. The lens baby covers FF sensors.
TILT SHIFT LENSES
+Clairmont Shift and Tilt System
Lenses available for the swing/shift system include 18mm, 24mm, 35mm, 55mm, 75mm, 90mm, 105mm, and 150mm. PL Mount. Covers up to LF OG.
FULL-FRAME ADAPTERS AND EXTENDERS
+IBE LPL 2x Extender
The LPLx2 VV mounts directly to native LPL mount lenses and cameras and has a recommended maximum input T-stop of 1.9. Two stops of light loss.
+DUCLOS 1.7x Expander
A brand new array of optics designed from the ground up, the Duclos 1.7x Expander effectively increases the image circle of the taking lens, providing a narrower field of view while maintaining the highest level of image quality. 1.5 stops of light loss. *Note: Not all lenses are compatible.
+Century PL 2x Extender
Covers 36x24mm FF sensor. 2-stops light loss.
+Kipon Baveyes LPL Mamiya 645 Adapter
This high quality adapter lets you mount Mamiya 645 medium format lenses on any LPL mount camera. It acts as a "speedbooster" by increasing the field of view of the lens by .7x with a gain of 1 stop. Its features multi coated glass elements made by IBE in Germany.
